Hummingbird energetically embraces the highest aesthetics
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Sean Sweeney

photography
  Ready, Willing, Able   Sestina & art direction by  Sean Sweeney   Photography by Sarah Irvine

Ready, Willing, Able

Sestina & art direction by Sean Sweeney

Photography by Sarah Irvine

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  we had to stop, dawn broke night’s perfect shell,     far from the road, in ocotillo brush    stacking skid marks while dodging wild pig,    vultures swing high, sing lyre and beer can,    grapefruit night slips away with purple knife    tenderly s

we had to stop, dawn broke night’s perfect shell,

far from the road, in ocotillo brush

stacking skid marks while dodging wild pig,

vultures swing high, sing lyre and beer can,

grapefruit night slips away with purple knife

tenderly swaddled in old newspaper

  here asphalt sticks like wet toilet paper    all that prickly pear and shotgun shells,    poking around this desert with a knife    too hot now to go ‘round tickling brush    so sit and try not to move if you can    just like a penguin, smart as a

here asphalt sticks like wet toilet paper

all that prickly pear and shotgun shells,

poking around this desert with a knife

too hot now to go ‘round tickling brush

so sit and try not to move if you can

just like a penguin, smart as a pig

  river jump, a coarse javelina pig    playing cello, full set, made of paper    some mountain lion, thunder in a can    sky blue hold water, mind grinning shell    wire afternoon, the color of brush    whistling a name, Hot the butter knife

river jump, a coarse javelina pig

playing cello, full set, made of paper

some mountain lion, thunder in a can

sky blue hold water, mind grinning shell

wire afternoon, the color of brush

whistling a name, Hot the butter knife

  under the sun, doing the twist, the knife    you, born of the same mother, feral pig    ask cosmetically, how far? loaded brush    through a screen, in a thin voice like paper    the devil you know beats a stranger’s hell    domestic as pineapple i

under the sun, doing the twist, the knife

you, born of the same mother, feral pig

ask cosmetically, how far? loaded brush

through a screen, in a thin voice like paper

the devil you know beats a stranger’s hell

domestic as pineapple in a can

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  knowing the occasion, meaning of, can    commune the red room set the carving knife    there is nothing, but mounds of oyster shell    old world devotion on this rusty pig    rains come and everything’s made of paper    the closer to skin the bette

knowing the occasion, meaning of, can

commune the red room set the carving knife

there is nothing, but mounds of oyster shell

old world devotion on this rusty pig

rains come and everything’s made of paper

the closer to skin the better the brush

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  what water left to share is in this can    each direction looks the same on paper    besides, sand ruins the cake, dulls the knife    one who knows, who is, close they say to pig    contented to be once more in a shell

what water left to share is in this can

each direction looks the same on paper

besides, sand ruins the cake, dulls the knife

one who knows, who is, close they say to pig

contented to be once more in a shell

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  ready in scrub brush to make for great shell    willing with paper to give up the knife    able and I can, never end with pig

ready in scrub brush to make for great shell

willing with paper to give up the knife

able and I can, never end with pig

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